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ΑΓΙΑ ΕΙΚΩΝ · EST. TRADITION

Windows into Heaven

Icons written by hand in egg tempera and gold leaf, faithful to the canon handed down from Byzantium.

Hand-painted icon of Christ Pantocrator on a gold leaf background
Christ Pantocrator · tempera on linden
“What the word transmits through the ear, the icon shows silently through the image.”

— SEVENTH ECUMENICAL COUNCIL, 787

The Collections

I

Christ

The Pantocrator, the Mandylion, and the Feasts of the Lord.

II

Theotokos

Hodegetria, Eleousa, and the Mother of God of the Sign.

III

Saints

Patrons, martyrs, and the holy fathers of the Church.

An iconographer's hands laying gold leaf onto a wooden icon panel beside pigments and a candle

The Ancient Craft

  1. The Board

    Seasoned linden, gessoed in a dozen thin layers of chalk and rabbit-skin glue.

  2. The Gold

    Leaf laid on bole and burnished by hand — the uncreated light.

  3. The Tempera

    Earth pigments bound with yolk, built from shadow toward light.

  4. The Blessing

    Each icon is inscribed and offered for blessing before it leaves.

Recently Restored

American Orthodox Icons (OCA)

St Alexis Toth of Wilkes-Barre

St Alexis Toth, the Carpatho-Russian priest who led thousands of Eastern Catholic immigrants into the Orthodox Church in America; glorified in 1994.

American Orthodox Icons (OCA)

St Tikhon of Moscow in America

St Tikhon, archbishop of the Orthodox diocese of North America from 1898 to 1907, founder of St Tikhon's Monastery and later Patriarch of Moscow.

American Orthodox Icons (OCA)

St Innocent of Alaska: Icon and Life

St Innocent (Veniaminov), missionary priest in Unalaska and Sitka, translator for the Aleut people, first bishop of Alaska and later Metropolitan of Moscow.

American Orthodox Icons (OCA)

St Herman of Alaska: Icon and Life

St Herman of Alaska, monk of the 1794 Valaam mission to Kodiak and hermit of Spruce Island, glorified in 1970 as the first Orthodox saint of North America.

Antiochian Orthodox Icons

Arab Orthodox Icon Painters after Aleppo

Painters of Damascus, Jerusalem and Lebanon who carried Arab Orthodox and Melkite icon painting into the 18th and 19th centuries, including Michael the Cretan.

Antiochian Orthodox Icons

The Double-Sided Icon of Kaftoun, Lebanon

The Orthodox monastery of Our Lady of Kaftoun in north Lebanon and its medieval double-sided icon of the Virgin and Child and the Baptism of Christ.

Antiochian Orthodox Icons

The Aleppo School of Icon Painting

How four generations of the al-Musawwir family in Aleppo created a distinct Arab Orthodox and Melkite icon style in the 17th and 18th centuries.

Murals of Old Russia

The Painted Churches of Yaroslavl

Seventeenth-century church murals of Yaroslavl: the Church of Elijah the Prophet, St John the Baptist at Tolchkovo and the use of the Piscator Bible.

Orthodox Ornament

Ornament of the Kazan Tatars

Tulips, vine scrolls and leather mosaic: the ornament of the Kazan Tatars and its place in the shared decorative language of Muscovite Russia.

Byzantine Icons

Icons of Cyprus — Part II

Middle Byzantine and Crusader-era icons of Cyprus: Lagoudera, Asinou, the Kykkos tradition and the relief-gesso 'maniera cypria'.

Old Russian Icons

The Nativity of Christ in Old Russian Icons

How Old Russian icons show the Nativity: the cave, the reclining Virgin, Joseph and the tempter, the washing of the Child — in Novgorod, Moscow and Rublev's circle.

Icons of Mount Athos

Icons of Mount Athos — Part V

The wonderworking icons of Mount Athos — Axion Estin, Portaitissa, Trikheroussa — and the painters Panselinos and Theophanes the Cretan.

Explore the Archive

Thirteen collections, from the mosaics of Ravenna to the frescoes of Ohrid, are being restored article by article.